This was a serious disappointment. A remake of Chocolat without the panache or ganache, although it would be true to say that this confection was rather sickly sweet. There is a rule in cinema that there is an inverse relationship between the amount of slow-motion photography and the overall quality of the film – this film uses a lot of slow motion scenes (just so we understand that we are being emotional) . The scenes of cooking were reminiscent of a Marks & Spencer food advert and the whole piece came over as ‘The Peoples Friend’ magazine for the middle class urbanite.
The film poster tells you all you need to know about the storyline. It is so formulaic that there are no surprises whatsoever. There is no question ‘if‘ couples will fall in love simply ‘when‘ . The cinematography paints some lovely pictures which are chocolate-box lovely. If this is what you want, a box of sweets to wend away a wet afternoon when Masterchef is off the television, then this is the film for you.
If you are able to, and enjoy thinking, then perhaps try something else, perhaps try anything else
These documentaries are the stuff of modern horror movies. Innocents are wrongfully convicted of child sexual abuse and incarcerated and mistreated. No matter what evidence they provide to show their accusers wrong, no matter what lies and falsehoods they can reveal, the legal machinery rolls on as they see the world of reason, logic and justice desert them as they descend further and further into their nightmare.
This time it concerns four women from San Antonia. They did nothing out of the ordinary, tried to be helpful and good, but despite this were wrongfully convicted on the gang-rape of two of their nieces. Their only crime was to be homosexual at a time when bigotry against homosexuals still was a powerful force in the legal department and media, and to have been young lesbians at the time that fears of satanic cults were deranging the logic of the public and professions alike.
While it is distressing to watch these events unfold and one feels ashamed to be complicit in a society which treats people like this; there is a positive side. The strength of character of these women, who fought on for their exoneration, and defied the system’s attempts to destroy them, is rewarding to watch. To know that some of us, in the face of dreadful adversity, can still act with integrity and dignity allows you to retain some respect for humanity.
It is a shame that we still periodically have to rely on films like this or others (Capturing the Friedmans, The Thin Blue Line, etc) to correct our legal mistakes. But hopefully these films will increase awareness of the dangers of blind faith in the legal system and its agents and perhaps make errors like these less likely to happen.
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