Liar (ITV). Keeping the plebs ‘on story’.

Liar (ITV). Keeping the plebs ‘on story’.

 

There was never any tension in this drama. We knew from the outset that it would be, like all the others, a play in which the woman was the victim telling the truth and the man was the villain. I mean, could you imagine the playwright writing that the woman had told lies ? Think about it. Miscarriages of justice are staple fare for film and television drama; the innocent accused of murder, the unfortunate either deliberately or by coincidence accused of fraud or deception.  Dramas of good people trying to clear their name and reveal the truth are mainstream and common. However, though they will consider many crimes (murder, arson, theft, assault, causing catastrophic calamities) they never involve accusations of rape. That would be going ‘off message‘ and suggest that, however rarely, it is possible that the victim is not the woman but the man having been falsely accused.

This drama never deviated from the standard message. Like all clunky propaganda it beat us about the head with the party line. Listen, it said, it doesn’t matter if she has made unfounded accusations in the past, it doesn’t matter if the evidence doesn’t match her story, it doesn’t matter if she has been psychotic and held erroneous beliefs before, it doesn’t matter how you might construe her behaviour that evening – it’s simple stupid – she says she’s the victim so she is the victim.  Victims never lie.

And, just to be certain (in case you had any doubts) it doesn’t matter how handsome and successful he is , how believable his story might be, it doesn’t matter that he is a caring and kind doctor, it doesn’t matter that he is a single parent bringing his son up alone after being widowed, it doesn’t matter what he says – he is the man and all men are rapists. He is the one lying.

This was not drama. This was not an attempt to show something that is usually hidden from our view, this steadfastly ploughed the accepted furrow. This was not an attempt to subvert harmful stereotypes or caricatures, this play had the standard new-age tropes a plenty. This did not try and foster sympathy for a currently abused or disadvantaged group. It did none of these laudable dramatic aims. This was simply a play to make sure the plebs “get with the programme“. It was preparation for the jury room. If you find yourself on the jury remember there is no need to weigh up the evidence, no need to consider the testimonies, no need to seek the truth. Because, we already know the truth, just stay strong and remember “the victim never lies”.

I have not seen, and may never see, the final episode but I’d wager it will be the last stage in the public education. It will be an episode which shows how terribly wrong things go when the victim is not instantly believed. If the episodes so far have not made it clear enough this is just the warning of the harm you can do when you step out of line.

 

Propaganda like this is so crude in its socialism-vs-capitalism-propaganda-poster-1crafting that it resembles the Soviet posters with capitalist monsters (looking like the fat controller from Thomas the Tank Engine) debasing heroic proletarians, or the Nazi equivalents with hook-nosed Jews preying on the fair Aryans. As they become more  crass they become more transparent, Hopefully people will see through them and they will loose some of their effect. Hopefully, because this is no way to improve society for women and men. Indeed, this probably worsens matters by continuing to attempt to polarise the argument when it is clearly the case that the truth is equally important to women and men.

jew0295e59a781Although the writers, Harry and Jack Williams, may deserve  (for crimes against drama) the unjust and distrustful culture they are helping to create the rest of us don’t – but we may be obliged to share it. A future where prejudice reigns is unlikely to be a better one for our sons or our daughters.

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The 100-foot Journey

The 100-foot Journey

This was a serious disappointment. A remake100ft of Chocolat without the panache or ganache, although it would be true to say that this confection was rather sickly sweet. There is a rule in cinema that there is an inverse relationship between the amount of slow-motion photography and the overall quality of the film – this film uses a lot of slow motion scenes (just so we understand that we are being emotional) . The scenes of cooking were reminiscent of a Marks & Spencer food advert and the whole piece came over as ‘The Peoples Friend’ magazine for the middle class urbanite.

The film poster  tells you all you need to know about the storyline. It is so formulaic that there are no surprises whatsoever. There is no question ‘if‘ couples will fall in love simply ‘when‘ . The cinematography paints some lovely pictures which are chocolate-box lovely. If this is what you want, a box of sweets to wend away a wet afternoon when Masterchef is off the television, then this is the film for you.

If you are able to, and enjoy thinking, then perhaps try something else, perhaps try anything else

 

Southwest of Salem.

Southwest of Salem.

These documentaries are the stuff of modern horror movies.  Innocents are wrongfully convicted of child sexual abuse and incarcerated and mistreated. No matter what evidence they provide to show their accusers wrong, no matter what lies and falsehoods they can reveal, the legal machinery rolls on as they see the world of reason, logic and justice desert them as they descend further and further into their nightmare.

This time it concerns four women from San Antonia. They did nothing out of the ordinary, tried to be helpful and good, but despite this were wrongfully convicted on the gang-rape of two of their nieces. Their only crime was to be homosexual at a time when bigotry against homosexuals still was a powerful force in the legal department and media, and to have been young lesbians at the time that fears of satanic cults were deranging the logic of the public and professions alike.

While it is distressing to watch these events unfold and one feels ashamed to be complicit in a society which treats people like this;  there is a positive side. The strength of character of these women, who fought on for their exoneration, and defied the system’s attempts to destroy them, is rewarding to watch. To know that some of us, in the face of dreadful adversity, can still act with integrity and dignity allows you to retain some respect for humanity.

It is a shame that we still periodically have to rely on films like this or others (Capturing the Friedmans, The Thin Blue Line, etc) to correct our legal mistakes. But hopefully these films will increase awareness of the dangers of blind faith in the legal system and its agents and perhaps make errors like these less likely to happen.

 

3170744-4-out-of-5-stars1Website : Southwest of salem